Baroque Age

Rachel Ruysch (1664–1750)

Dutch Golden Age painter.

Still Life with Flowers in a Glass Vase

Rachel Ruysch, born in The Hague in 1664 and raised in Amsterdam, was the most celebrated flower painter of her age and one of the most successful women artists before the nineteenth century. Her father was the anatomist and botanist Frederik Ruysch, whose famous cabinet of preserved specimens, dried plants, and curiosities gave her an unusually exact naturalist's eye; she trained from about fifteen with the leading flower painter Willem van Aelst, from whom she took a taste for asymmetrical, dynamically arranged bouquets.

Over a career of some six decades she produced meticulous still lifes of flowers, fruit, and the small life of the forest floor — lizards, insects, snails — set against dark grounds and lit like jewels. From 1708 to 1716 she served as court painter to the Elector Palatine Johann Wilhelm in Düsseldorf, one of the highest honours open to a painter of her day, while continuing to sell to collectors across Europe. She married the portrait painter Juriaen Pool, raised a large family, and went on painting into her eighties, dating a late work at eighty-three.

Her pictures were prized as luxuries and are often noted to have fetched prices among the very highest paid to any living painter — a mark of how completely a woman working in the 'lesser' genre of still life could command the market. She died in Amsterdam in 1750, her reputation intact and her flowers still, as a contemporary poet put it, seeming to keep their scent.

The words the record keeps using: precise, opulent, meticulous, luminous, naturalistic, refined, abundant, jewel-like.

At a glance

Works in the archive

What was said

Ruysch trained from about the age of fifteen with Willem van Aelst, the leading flower painter of the previous generation, from whom she took the loose, asymmetrical, dynamically turning bouquet in place of the older symmetrical arrangement.

Rachel Ruysch (formation) — Documented apprenticeship with Willem van Aelst in Amsterdam, recorded in eighteenth-century sources and modern scholarship on Ruysch

As the daughter of the anatomist and botanist Frederik Ruysch, she grew up amid his celebrated cabinet of preserved specimens, dried plants, and creatures — an upbringing to which scholars trace the scientific exactness of her identifiable flowers, insects, and reptiles.

Rachel Ruysch (formation) — Frederik Ruysch's anatomical and botanical collections in Amsterdam, and their influence on his daughter's naturalism, discussed in modern art-historical studies

Modern scholarship situates Ruysch as a painter who translated the empirical culture of Dutch natural science into art, and notes both her rare status as a woman court painter and the exceptionally high prices her still lifes commanded in her lifetime.

Marianne Berardi (modern scholarship) — Marianne Berardi, 'Science into Art: Rachel Ruysch's Early Development as a Still-Life Painter' (Ph.D. dissertation, University of Pittsburgh, 1998)

What would Rachel make of your idea?

The Artiquity Studio makes a new picture in this hand's manner from a few words or a photograph — grounded in the technique, palette and subjects recorded above, and always credited "after Rachel Ruysch", never passed off as a found work. Open the Studio with Rachel · Keep a life moment the way Rachel would · Pictures made after Rachel

Open this page in Artiquity