Medieval World

The Limbourg Brothers (1385–1416)

Netherlandish International Gothic manuscript painters.

Janvier (January) — Très Riches Heures

The Limbourg brothers — Herman, Paul (Pol), and Johan (Jean) — were three siblings from Nijmegen in the Duchy of Guelders who together became the supreme illuminators of the International Gothic style. Nephews of the court painter Jean Malouel, they trained partly as goldsmiths in Paris and entered the service first of Philip the Bold, Duke of Burgundy, and then of his brother Jean, Duc de Berry, the most extravagant book-collector of the age. Working as a single hand, they raised manuscript painting to a jewel-like perfection never surpassed.

Their masterpiece is the calendar of the Très Riches Heures du Duc de Berry, a book of hours begun for the duke around 1411–1413. Its twelve full-page calendar miniatures pair the labours of the months with the duke's own castles, rendered in mineral colour and burnished gold under a magnifying eye: the New Year feast of January, the earliest snow-covered farmyard in Western painting in February, the sowing before the Louvre in October. Peasants, lords, oxen, and weather are all observed with a tenderness and precision that press International Gothic elegance toward outright naturalism.

The book was left unfinished. All three brothers died in 1416, still young and probably in the same epidemic of plague, in the same year as their patron the duke. The Très Riches Heures passed through other hands and was only completed decades later by Jean Colombe; today it is the treasure of the Musée Condé at Chantilly, and the calendar pages remain among the most beloved images of the medieval world.

The words the record keeps using: exquisite, elegant, luminous, observant, courtly, tender.

At a glance

Works in the archive

What was said

The inventory drawn up after the Duc de Berry's death in 1416 lists among his treasures several quires of a richly illuminated book of hours, then still unbound and unfinished, that scholars identify with the Très Riches Heures — testimony that the brothers left the book incomplete when they died.

Estate inventory of the Duc de Berry — Post-mortem inventory of the possessions of Jean, Duc de Berry (1416), discussed in Millard Meiss, French Painting in the Time of Jean de Berry: The Limbourgs and Their Contemporaries (Thames & Hudson, 1974)

The Limbourgs' calendar pushed International Gothic illumination toward a new naturalism of season, weather, and place — the February page being the first snow landscape in Western art and the calendar as a whole an early triumph of observed light and specific portraiture of the duke's castles.

Art-historical scholarship — Millard Meiss, French Painting in the Time of Jean de Berry: The Limbourgs and Their Contemporaries (Thames & Hudson, 1974)

All three Limbourg brothers died in 1416, still young and within a short span of one another, most likely victims of an epidemic of plague, in the same year as their patron; the Très Riches Heures was left unfinished and completed only decades later by Jean Colombe.

Art-historical scholarship — Raymond Cazelles and Johannes Rathofer, Illuminations of Heaven and Earth: The Glories of the Très Riches Heures du Duc de Berry (Harry N. Abrams, 1988)

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