Age of Revolution

Katsushika Hokusai (1760–1849)

Japanese Ukiyo-e painter.

The Great Wave off Kanagawa

Katsushika Hokusai worked in Edo (modern Tokyo) across nearly seven decades, changing his art-name some thirty times as his style evolved. Trained in the ukiyo-e print tradition — where a designer's drawing was carved and printed by separate craftsmen for a broad city public — he ranged across actor prints, book illustration, erotica, brush painting, and the fifteen-volume 'Hokusai Manga', a sprawling encyclopedia of sketched life.

In his seventies he produced the work that made him immortal: the series 'Thirty-six Views of Mount Fuji' (c. 1830-1832), including 'The Great Wave off Kanagawa' and 'Fine Wind, Clear Morning'. Using the newly imported Prussian blue and the woodblock's flat, decisive color, he set the sacred mountain within scenes of everyday labor, travel, and weather. His designs marry bold graphic pattern to acute observation of motion and force.

Exported to Europe after Japan's opening, Hokusai's prints helped ignite Japonisme: their flat color, cropped framing, and everyday subjects were studied by Monet, van Gogh, Cassatt, and their circle, feeding directly into Impressionism and beyond. Hokusai himself claimed he was only beginning to understand drawing in extreme old age, and hoped to become a true artist by a hundred and ten. He died in 1849.

The words the record keeps using: dynamic, observant, bold, playful, tireless, graphic, reverent.

At a glance

Works in the archive

What was said

From about the age of six he had a mania for drawing the shapes of things; by seventy nothing he had made was worth counting; only at seventy-three did he begin to grasp the structure of birds, animals, insects, and plants, so that by a hundred he might reach a marvellous level and by a hundred and ten every dot and line would be alive.

Katsushika Hokusai — Postscript (colophon) to 'One Hundred Views of Mount Fuji' (Fugaku hyakkei), 1834

Writing to his brother Theo from Arles, van Gogh held up the Japanese printmakers as a model, praising the clarity, simplicity, and swiftness of their drawing and the way their art was made for a wide public.

Vincent van Gogh — Vincent van Gogh, letters to Theo van Gogh, 1888

Cassatt wrote to Berthe Morisot insisting she must not miss the exhibition of Japanese prints at the École des Beaux-Arts, treating it as essential study for any modern painter.

Mary Cassatt — Mary Cassatt, letter to Berthe Morisot regarding the 1890 ukiyo-e exhibition, Paris

Lineage

Passed on to Mary Cassatt, Claude Monet, Vincent van Gogh

What would Hokusai make of your idea?

The Artiquity Studio makes a new picture in this hand's manner from a few words or a photograph — grounded in the technique, palette and subjects recorded above, and always credited "after Katsushika Hokusai", never passed off as a found work. Open the Studio with Hokusai · Keep a life moment the way Hokusai would · Pictures made after Hokusai

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