Medieval World

Andrea di Bartolo (1360–1428)

Sienese International Gothic painter.

The Crucifixion with the Virgin, Mary Magdalene and St. John the Evangelist

Andrea di Bartolo (c. 1360–1428) was a Sienese painter, son and pupil of Bartolo di Fredi. He is documented in Siena from the late fourteenth century until his death. His surviving panels continue the late-Trecento Sienese gold-ground manner: egg tempera on panel, punched leaf, and compact Passion and Madonna groups.

One Crucifixion from that production is now at the Vanderbilt Museum of Art. The Commons Artwork template records it as a gift of the Samuel H. Kress Foundation to the Vanderbilt University Fine Arts Gallery (accession 1979.0649P) and dates the panel 1400. This file tags the artist to Vanderbilt on the strength of that verified holding; it does not invent other museum slugs.

The words the record keeps using: devout, linear, compact, gilded, Sienese.

At a glance

Works in the archive

What was said

Commons File:The Crucifixion with the Virgin, Mary Magdalene and St. John the Evangelist - Vanderbilt Fine Arts Gallery - 1979.0649P.tif attributes the panel to Andrea di Bartolo (Wikidata Q390098), dates it 1400, gives tempera on panel 16 × 17.25 in., and notes a gift of The Samuel H. Kress Foundation.

Wikimedia Commons Artwork template — Wikimedia Commons, Artwork template for VUFA 1979.0649P (PD-Art / PD-old-100-expired), retrieved 21 August 2026

What would Andrea make of your idea?

The Artiquity Studio makes a new picture in this hand's manner from a few words or a photograph — grounded in the technique, palette and subjects recorded above, and always credited "after Andrea di Bartolo", never passed off as a found work. Open the Studio with Andrea · Keep a life moment the way Andrea would · Pictures made after Andrea

Open this page in Artiquity